August Poetry Postcard Fest 2019 Official Call

The August Poetry Postcard Fest was initiated in 2007 by poets Paul Nelson and Lana Ayers. 2019 marks the thirteenth year of the fest and this is the official call. It is the biggest annual fundraiser for SPLAB.

Again this year poets will be organized in groups of 32 and the list will be released as each group gets the required amount of participants, or the registration period ends. The signup will end July 18. Registration is a minimum $10 contribution to participate this year which will go to fund SPLAB operations. SPLAB was founded in 1993. (See this.)

The page at which to register is: is the main page for the fest.


1. Make sure you want to do this. It means writing at least 31 original poems onto cards and mailing them by August 31. There are no excuses short of (lord forbid) injuries, sickness or other unfortunate events, but if you sign up, please send 31 cards. (& use good penmanship. Remember THAT?!?)

2. Look to see where your name is on your list. You will get a list emailed to you after July 4 or soon after your group hits 32 participants and NOT when you pay the registration fee. Make sure your info is correct and each address is complete. LET ME KNOW ASAP IF NOT. Each group will have 32 poets. I’ll send the whole list to all participants when registration has closed. Please feel free to send this email, or the link to this event to post friends, or creative writing teachers. We hope to expand participation significantly in the next few years.

3. When you see your name on the list you get for your group, start sending original poems to those three people JUST BELOW your name. ie: If you are #10 on the list, you should send cards to: # 11 #12, #13 &c. Start when you get your list. If you want to wait until August 1 to begin, that’s ok. If you want to have more time to write 31 poems, start when you get your list. If you are at the bottom of the list, start with the names at the very top. ie: #32 will send to #1, #2 & #3. Send postcards until you have sent at least 31 total, continuing down from your name and going to the bottom, then going to the top of the list. (Some people also pick out a few extra poets, friends, neighbors, and write 35 or 40! I will provide all the participant addresses, but not until the registration closes.)

4. Once you start receiving poems, if there is a thread, a tone, an image, a fragrance, something that can inspire you in the next poem you send, use it. If not, don’t worry. Please refer to the call and the handy links there for more help on the how of this. and other links that drop down from there.

If you have people from outside your country on the list YOU MUST SEND EXTRA POSTAGE. From the US, in 2018, see: Addresses out of the U.S. cost $1.15 in 2019. Some people recognize that the stamp itself can add flair to the card. If you send oversized cards, you’ll need a regular letter stamp in the U.S. See also:

Also from the USPS, note:

“You may think that your mailpiece is a “postcard,” because it is a single sheet of paper. But to qualify for mailing at the First-Class Mail postcard price, it must be:

At least 3-1/2 inches high x 5 inches long x 0.007 inch thick
No more than 4-1/4 inches high x 6 inches long x 0.016 inches thick…”

6. If you are on Facebook, check out the Facebook Postcard Fest page. Many people get excited about the fest, but I would suggest writing your poems and then chatting about them on the Facebook page or other social media AFTER the fest. Let’s try to recreate a feeling of the time BEFORE SOCIAL MEDIA. That page is moderated and posts will not be allowed if the spirit of the fest is violated. Spamming that list will result in the spammer being banned from the group and nasty poems being written about them.

7. DO NOT POST YOUR POEMS ONLINE UNTIL 30 DAYS AFTER THEY GET SENT and longer if the card was sent overseas. Pity to see it online before it arrives in the box. Kinda defeats the purpose. Also, ASK PERMISSION to post other people’s poems. OK? The image is fair game, but make sure the poet who sent you the poem grants permission for you to publish in any way.

8. Just putting this list together is a task. If you can get a question about the fest answered by reading something here (and all the links above) please do. Leave a comment in the comment section.

9. Document your cards before sending them out. Scanning both sides is one way, if you have a home scanner. Then re-typing the poems and recreating the line breaks is the way I have done it. There are many examples on this blog. See: and and

10. Have fun. This fest is designed to get you to trust your gut in the act of composition. Learning about the traditions of spontaneity in North American poetry and other disciplines has been life-changing for me and if you participate with trust in the process, you’ll also experience some degree of liberation, a little high, or both. Goddess-speed.

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APPF (Postcards Are Here Again)

The signup is already open for the 13th August Poetry Postcard Fest and opens EVEN EARLIER for 2020. (July 18, 2019!) In order to allow as many people as possible to participate in the joy of postcards, we opened registration much earlier than the traditional July 4th and for 2020 APPF14 registration will open on July 18, as 2019 registration closes. Confusing, perhaps and change is hard, but this has become the largest annual fundraiser for SPLAB, now in its 25th year of operations and our goal is to someday hit 10,000 participants and be fully funded for the first time in over a decade.

Huge thanks are due Tim Green and Rattle Magazine for publishing my essay The Joy of Postcards:

Photograph by Chad Peltola (CC0)

An excerpt:


Freedom in art, as in life, is the result of a discipline imposed by ourselves.
—Marianne Moore

One fest participant said that having the “soft deadline” helped in her fest participation. Yes, there are always those who are still sending cards in September, when I have written my annual afterword and am ready to go backpacking in Olympic National Park, but the fest affords the participants something of a discipline. Sit at your desk with maybe some potential epigraphs, having read the most recent poem or two that has landed in your mailbox alongside Safeway and Costco flyers and “This is Not a Bill” notices from your health insurance corporation and find the right card for the next person on your list. A groove begins eventually. The poem is only going to one person and perhaps a nosy mail carrier. I do remember a report of one postcarder who heard from their mailman about the quality of a postcard poem when they said: “Hey, this one’s pretty good!” By the end of August, if a participant practices as directed and does not try “cheating” they get a sense that they can learn to trust first impulses and look for what Jack Spicer called “the quick take.” Being afraid of failure hurts that process..

We have had numerous signups for the fest from Rattle and they plan a poetry postcard issue, so doing APPF will give you 31 potential poems to send in for their consideration.

Signup for the fest here:

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Sons & Daughters

Huge thanks to SPLAB Board Member and EasySpeak Seattle founder Peter Munro for tipping me off to a new journal named Sons & Daughters that seeks to publish work inspired by Charles Olson’s seminal essay Projective Verse. Peter figured it would be right up my alley and I took a look at their site:

Sons and Daughters is an online literary journal focusing on poetry that furthers the 20th century tradition of Radical Modernism. Many of our heroes can be seen in the New American Poetry Anthology. After running poetry nights in the north of England and attending poetry events in Southern California, we grew frustrated by the lack of artistry and innovation in the current poetic scene. Hoping to foster an environment for new and innovative poetry, we created Sons and Daughters.

Having experienced the great modernist epicenters of California and Northern England, we became disciples of the Modernist pioneers, from Ezra Pound and William Carlos Williams, to Robert Creeley and Allen Ginsberg, and beyond. Though do not be confused: Sons and Daughters is not a modernist appreciation site that is nostalgic for a time gone by. Sons and Daughters seeks to use the principals of the Radical Modernism of the past to shape the future of both poetry and the world we live in. We hope others are willing to help us build that world.

Sons and Daughters takes our name from Charles Olson’s 1950 Manifesto, “Projective Verse”, where he mentions himself and his contemporaries as “sons of Pound and Williams”, Thus establishing a lineage that can be followed to today.

So, I sent in three recent poems that I liked, that were all composed projectively and sure enough got word yesterday that at least two have been accepted:

Dear Paul,

Hello! Your work has been selected for inclusion! We have selected “94. Dilettante Periphery” and “Angels of Waldport” to be published online as part of our inaugural edition, debuting on July 4th. Thank you for your interest in Sons and Daughters and we are happy to be accepting your work. Your work may be featured on our social media pages or on the homepage of our website, so keep an eye out. If you would not like your work featured on our social media, please let us know. Selection for publication does not guarantee a feature. We may edit your bio to fit into our style guide. If you have any unpublished interviews available, we would love for you to submit them in future submission calls. You mentioned many of our heroes in your cover letter. We would be most interested in any unpublished interview that you might have with poets that appear in the New American Poetry Anthology. Thanks Again.
We are happy you’ve joined us.

Ryan De Leon
Sons and Daughters

They launch their site the same day our August Poetry Postcard Fest kicks off, so it must be an auspicious day for poetry.

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